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Susan Jill Wilsmore
University of Hertfordshire
  1.  9
    What is wrong with aesthetics?S. J. Wilsmore - 1987 - Metaphilosophy 18 (1):55-70.
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  2.  48
    Authenticity and restoration.S. J. Wilsmore - 1986 - British Journal of Aesthetics 26 (3):228-238.
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  3.  4
    Against Deconstructing Rationality in Education.S. J. Wilsmore - 1991 - The Journal of Aesthetic Education 25 (4):99.
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  4.  32
    A humanist theory of identity for works of art.S. J. Wilsmore - 1987 - Journal of Value Inquiry 21 (1):33-43.
  5.  39
    Answering Scepticism in Art.S. J. Wilsmore - 1989 - International Philosophical Quarterly 29 (2):191-203.
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  6.  41
    Paradigms and Masterpieces.S. J. Wilsmore - 1988 - The Monist 71 (2):171-182.
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  7.  65
    The Appreciation And Perception Of Easel Paintings.S. J. Wilsmore - 1993 - British Journal of Aesthetics 33 (3):246-256.
  8.  45
    The new attack on humanism in the arts.S. J. Wilsmore - 1987 - British Journal of Aesthetics 27 (4):335-344.
  9.  29
    The Normative Structure of Art.S. J. Wilsmore - 1986 - Review of Metaphysics 39 (3):415 - 431.
    THE RELATIONSHIP between the artist, his work, and its audience will become clearer when we realize that works of art are not natural kinds like "eel" and "man," nor are they physical objects, but are instead, what I will call "normative-kinds.".
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  10. The Philosophical Implications of Varnishing Pictures.S. J. Wilsmore - 1987 - Ratio (Misc.) 29 (1):64.
     
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  11.  68
    The role of titles in identifying literary works.S. J. Wilsmore - 1987 - Journal of Aesthetics and Art Criticism 45 (4):403-408.
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  12.  32
    Unmasking skepticism about restoration.S. J. Wilsmore - 1987 - Journal of Aesthetics and Art Criticism 46 (2):304-306.
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  13.  16
    What justifies restoration?S. J. Wilsmore - 1988 - Philosophical Quarterly 38 (150):56-67.
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